Audix Vocal Dynamic Microphones

Sales of Audix OM11, OM-2, OM-3xb, OM-5, OM-6, OM-7, CD-11, and F50 vocal dynamic microphones at Sweetwave Audio. For assistance, call us at 1-877-258-0563.

Audix OM11

The OM11 is a re-issue of the OM1, a hand-made microphone first introduced in 1985. The OM1 quickly established itself as one of the best mics for rock and roll. It was discontinued, unfortunately, because of the prohibitive costs associated with producing it. Now, 16 years later, we are proud to re-issue it with the original cutting edge sound and stylish two-stage, machined brass body. With an updated composite capsule housing and mounting system, the OM11 has very high output with extremely low handling noise.

The OM11 is characterized with an elevated mid range for sharp, crisp vocals along with a slight bass proximity to enrich the over-all sound. The mic also handles very high SPL levels without distortion, has superior off-axis rejection and supplies maximum gain before feedback. A spring steel grill and all brass construction provide rock solid durability.

The new OM11 successfully maintains the integrity of the original capsule, while taking advantage of some of the advancements of today's materials and automated production processes. Balanced, low impedance output allow for interference-free performance even with long cable runs.

OM11 Spec Sheet (PDF)

Audix OM-2

The OM-2 is an American-made, hand held vocal microphone designed primarily for live performance. Characterized with a hypercardioid pickup pattern and a frequency response of 50-16k Hz, the OM2 has the same well-balanced, comfortable profile as Audix's high-end touring vocal mics, featuring a low reflective black e-coat finish.

Transformerless design, low impedance, and balanced output allow interferencefree performance even with long cable runs. A dent-resistant spring-steel grill and sound pressure handling capabilities in excess of 140dB add to the OM2's roadworthiness. The OM-2 is available with on-off switch (model OM2-S).

OM-2 Spec Sheet (PDF)

Audix OM-3xb

The OM-3xb, first introduced in 1989, is the original VLM Technology high output vocal microphone. An American-made, hand held vocal microphone designed for live performance, the OM-3xb is characterized with a hypercardioid pickup pattern and a uniform frequency response of 50-18kHz. An excellent choice for any size stage, the OM-3xb can provide over 25 dB of feedback rejection off-axis and is able to handle extremely high levels of gain without distortion.

Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. The OM-3xb produces a highly accurate, natural sound with slight bass proximity. A dentresistant spring-steel grill and sound pressure handling capabilities in excess of 144dB add to the OM-3xb's road-worthiness.

The OM-3xb is available with an optional on/off switch as model OM-3xb-s.

Operation and Maintenance: The OM-3xb is a durable handheld dynamic microphone with a dent-resistant spring steel grill. It still should be handled with care. Avoid extreme temperatures wherever possible.

Warning: Avoid moisture as it can adversely affect the sound and performance of your microphone. Phantom power: The OM-3xb is a dynamic microphone and does not require phantom power, be assured that Phantom power will not adversely affect the performance of the OM-3xb in any way. Recording: The OM-3xb is a very versatile recording microphone. It is a cost-effective utility microphone for use with vocals, percussion, electric and acoustic guitar, and brass instruments, providing a full-bodied warmth that complements lower-profile floor monitors found in smaller performance venues.

Because of the hypercardioid pattern, it is less susceptible to feedback than comparably priced cardioid designs. Its high sound pressure handling will prevent diaphragm distortion, allowing for close miking of the instrument or voice. Live Sound: The OM-3xb's tight pattern and high off-axis rejection offer unmatched gain before feedback at an affordable price. The high rejection also allows multiple miking in tight quarters (i.e. small clubs) with little bleed through or feedback. The OM-3xb has added warmth in the lower mid-bass and a slight boost in the mid-range; it sounds particularly full and clear on small-to-mid size PA systems without having to add EQ or pad the sensitivity. Microphone placement is not an exact science and depends on the room size, the PA system, and the musicians. Therefore, some experimentation is usually necessary in order to achieve the desired results.

OM-3xb Spec Sheet (PDF)

Audix OM-5

First produced in 1995, the OM-5 dynamic vocal microphone has become highly regarded by artists and engineers for its ability to produce quality sound at very high sound pressure levels without distortion or feedback. The OM-5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored for clarity and presence making it easier for the vocals to be heard both in the mains and monitors. By employing Audix's VLM (very low mass) capsule technology, the OM-5 has exceptional transient response. An extremely tight and uniformly controlled hypercardioid pattern helps to isolate the vocals from the rest of the instruments on stage. The OM-5 is comfortable to hold, durable, and manufactured with extremely tight tolerances. The result is an unparalleled consistency in sound and performance at a very competitive price.

Operation and Maintenance: Although the OM-5 is a durable handheld dynamic microphone with a dent-resistant spring steel grill, it should still be handled with care. Avoid extreme temperatures wherever possible. Phantom power: The OM-5 is a dynamic microphone and does not require phantom power; be assured that phantom power will not adversely affect the performance of the OM-5 in any way. Recording: The OM-5 has a very sophisticated, high quality transducer element, and can be very useful for a wide variety of recording applications. For live recording, or to attain the feel of a live vocal, the OM-5 is an excellent choice. It will provide a true, accurate sound and isolate the vocal(s) from other surrounding instruments. Because of the tight hypercardioid pattern of the OM-5, it is important to place the microphone directly on axis and as close as possible to the sound source. Since the OM-5 is able to handle very high sound pressure levels, it can be successfully utilized to mic a wide variety of instruments, both acoustic and electric.

OM-5 Spec Sheet (PDF)

Audix OM-6

Conceivably the finest example of dynamic microphone technology today, the Audix OM6 breaks every record in live performance criteria. Rich, full bodied vocal sound; unmatched clarity and detail; extended low end response; high SPL levels without distortion; low handling noise; superior offaxis rejection; maximum gain before feedback; and rock solid durability.

By employing Audix's VLM (very low mass) technology, the OM6 is very responsive to transients and harmonics. This, along with a rising frequency response between 2-10k, allows the OM6 to compete with the sound of condenser microphones.

Transformerless design and balanced, low impedance output allow for interference–free performance even with long cable runs.

Supplied Accessories

• Mic clip (MC1) adjustable through 180 degrees with standard 5/8 inch 27 thread.
• Metal stand adapter also supplied to accommodate European standard threads.
• Zippered microphone carrying pouch.

OM-6 Spec Sheet (PDF)

Audix OM-7

Produced in the mid-90s primarily for concert rock touring bands with exceptionally loud stage volumes, the OM-7 has earned reputation in the pro sound industry as being the “ultimate gain before feedback” microphone. The OM-7, which is designed with an unconventionally low output level (8-10 dB lower than typical dynamic mics), has a built-in pad which allows for the natural full audio range of the capsule to be utilized. On a mixing console with proper head room, the OM-7 will handle sound pressure levels in excess of 140 dB without distortion. The performance characteristics of the OM-7 allow it to be placed in close proximity to drums and guitar cabs, with minimal bleed, and tremendous resistance to feedback.

Operation and Maintenance: Although the OM-7 is a durable handheld dynamic microphone with a dent-resistant spring steel grill, it should still be handled with care. Avoid extreme temperatures wherever possible.

Phantom power: The OM-7 is a dynamic microphone and does not require phantom power; be assured that phantom power will not adversely affect the performance of the OM-7 in any way.

OM-7 Spec Sheet (PDF)

Audix CD-11 / CD-11H / CD-21

The Audix CD-Series microphones are cost effective microphones designed for a wide variety of applications including music, speech, corporate presentations, karaoke, worship, and education.

The CD-Series exhibit many of the same characteristics that have made Audix microphones the number one choice of recording and performing artists the world over. They employ a cardioid pattern to help minimize unwanted feedback, especially when more than one microphone is being used. Audix has designed the CD-Series to provide a high level of performance and reliability at a very affordable price. They are the perfect entry level microphones for a wide variety of vocal applications.

Main Features

• Cardioid pick-up pattern
• Excellent off axis rejection
• Wide frequency response
• On-off switch
• Clear vocal reproduction
• Handles high sound pressure levels
• Steel mesh grill ball
• Internal foam pop filter
• Durable zinc diecast body with black satin finish
• Includes professional mic cable, mic stand adapter, and carry case

CD-11 A low impedance dynamic microphone characterized with a very clear midrange vocal presence to suit portable sound systems. Includes a professional 20' XLR-XLR high quality mic cable, carry case and mic stand adaptor.

CD-11H A high impedance version of the CD-11 allowing it to be used with specialized equipment such as guitar amplifiers, recording tape decks and karaoke systems with high impedance inputs. Includes a professional 20' XLR – 1/4" jack mic cable, carry case and mic stand adaptor.

CD-21 A step up to the next level of vocal performance, providing a wider frequency response and a rich, warm sound. The CD-21 is stylish and compact and will meet the demands of today's professional sound systems and home studios. Includes a professional 20' XLR-XLR high quality mic cable, carry case and mic stand adaptor.

CD Series Spec Sheet (PDF)

Audix F50 / F50S

Professional dynamic performance microphones at a price that everyone can afford.

The Audix Fusion series vocal microphones offer exceptional performance at a breakthrough price. They are designed for a wide variety of applications including music, speech, corporate AV presentations, karaoke, worship, and education. characterized with clear and precise sound quality, the Audix F50 is an excellent all purpose microphone for both live sound reinforcement and recording. The F50 mics employ a cardioid pattern to help minimize feedback and unwanted off-axis noise from other mics or instruments on stage. They are designed with many of the same characteristics that have made Audix microphones the number one choice for recording and performing artists the world over.

The Audix F50 is a dynamic moving coil microphone designed to handle a wide variety of vocal and instrument applications for both live sound and recording. It is also available with a noiseless magnetic on-off switch as model F50s. Characterized with a wide cardioid pickup pattern and a frequency response of 50–16k, the F50 is designed with slight bass proximity and mid-range presence. This results in a warm natural response for nearly every type of voice. The Audix F50 is engineered to handle very high levels of gain without distortion and will provide over 20dB of off-axis feedback rejection.

Low impedance and balanced output allow interference-free performance even with long cable runs. The F50 is solidly build with a cast zinc alloy body and steel mesh grill ball with an internal pop screen.

F50 Spec Sheet (PDF)