beyerdynamic Opus Series Microphones

Sales of beyerdynamic Opus Series microphones Opus 29, Opus 39, Opus 51, Opus 53, Opus 54, Opus 55, mk II, Opus 59, Opus 62, Opus 66, Opus 67, Opus 69, Opus 81, Opus 82, Opus 83, Opus 86, Opus 87, Opus 88, Opus 89, Opus 99, and Opus drumset at Sweetwave Audio. Need to talk to an experienced technician? Call us toll free at 1-877-258-0563.

Applications

• Vocals
• Speech

The Opus 29 S is a great entry-level dynamic microphone for newcomers and can be used for miking speech and vocals on stage, but also for home studio or cassette player recordings and for Karaoke. Its supercardioid polar pattern ensures excellent feedback rejection. The Opus 29 S disposes of a silent On/Off switch for on-stage control and is supplied with a standard microphone cable (XLR-XLR, 5 m), microphone clamp and torage bag.

Features

• Entry-level microphone for newcomers
• For vocal applications tailored frequency response
• High SPL capability
• With silent On/Off switch for on-stage control
• Durable metal construction
• Supplied with standard microphone cable (XLR-XLR, 5 m), microphone clamp and storage bag

A fully featured dynamic vocal and general-purpose microphone for the budget conscious performer who wants style, audio quality and a product that works hard.

Features

• Dynamic supercardioid microphone
• Excellent vocal characteristics
• High output power
• Very low handling noise
• Rugged construction (metal housing), soft-lacquered for comfort and grip
• Supplied with microphone clamp and storage bag
• As Opus 39 S with silent, lockable On/Off switch available

Versions

• Opus 39, dynamic microphone
  
  or

• Opus 39 S, dynamic microphone, with lockable On/Off switch

Bass drum, piano, grand piano

The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the"boundary effect" it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.

Features

• Ideal for Kick Drum, Piano, Grand Piano
• Linear frequency response
• Very small dimensions and solid construction
• Phantom powered via pre-amp CV 3 (included)
• Optional battery powered with battery compartment ZCV
• Supplied with external pre-amp CV 3 and storage bag

Overhead, hihat, congas, bongos, trumpet, clarinet, accordion

The Opus 53 is a high quality condenser microphone at a
budget price. The frequency response has been tailored for
universal miking of instruments. In particular it is suitable for miking drums such as Snare Drums or HiHat. But it is also a great microphone for miking brass and woodwind instruments.

Features

• Universal miking of instruments
• High SPL capability
• Wide frequency response
• Extremely lightweight plastic casing strengthened with carbon fibers
• Rugged construction for tour applications
• 12 - 48 V phantom power
• Supplied with microphone clamp and storage bag

Vocals, speech
Entertainers, singing dancers, drummers and keyboarders
Sports (aerobic instructors)

The Opus 54 has been designed for"hands free" applications that require a high quality and lightweight microphone. It is ideal for entertainers, dancers, drummers and keyboard players etc. The Opus 54 will interface with all beyerdynamic wireless systems to provide a low profile neckworn microphone for aerobics instructors, theater use and stage musicals. Its cardioid polar pattern allows a high gain before feedback, essential when high levels of foldback are used on stage. The Opus 54 has a rugged yet adjustable neckband and flexible ear bows that can be shaped for personal comfort with a secure fit. The Opus 54 is also suited for people who wear glasses.

Features

• Cardioid polar pattern
• High gain-before-feedback
• Lightweight, adjustable neckband
• Angled microphone head
• Slim, flexible gooseneck for optimum positioning
• Rugged"flexible" ear bows of sprung steel

Versions

• Opus 54.09 BLK, cable with free ends, black
• Opus 54.09 SC, dto., beige
• Opus 54.16/2, cable with 4-pin LEMO-connector for TS 316 and TSP 200/ 300/ 380 /400, black
• Opus 54.16/3, cable with 4-pin LEMO-connector for TS 500 and pre-amplifier CV 3, black
• Opus 54.18 BLK, cable with 4-pin mini-XLR for TS 100 Mk II, TS 300, TS 800(M) and pre-amplifier CV 18
• Opus 54.18 SC, dto., beige

Vocals, speech, theater, musical, presentations, sports and educaction

The Opus 55 Mk II is designed to suit all applications which call for high quality, lightweight and low profile microphone which leaves the hands free. The new neckband construction gives the possibility to mount the microphone either on the left or on the right side. The microphone length is variable for optimum positioning on different head sizes. The foldable construction of the Opus 55 Mk II allows a minimized transport size. The microphone capsule is water resistant also against sweat. The Opus 55 Mk II is suitable for wireless applications such as theater, musical, sports, presentation and education.

Features

• High performance microphone
• Water resistant microphone capsule
• Adjustable lightweight microphone gooseneck
• Can be mounted on the left or on the right side
• Rugged and flexible neckband contruction
• Foldable ear bows for easy transport
• Versions available for wireless transmitters
• Available in black and beige

Versions

• Opus 55.09 Mk II BLK, cable with free ends, black
• Opus 55.09 Mk II SC, dto., beige
• Opus 55.18 Mk II BLK, cable with 4-pin mini-XLR connector for TS 100 Mk II, TS 300, TS 800(M) and pre-amplifier CV 18, black
• Opus 55.18 Mk II SC, dto., beige

(discontinued, replaced by TG-X 48 )

This microphone is designed to give a clear and balanced sound for energetic performers and to enhance their vocal expression. Its response characteristics will benefit more experienced users that enjoy developing their own sound style with different microphone techniques.

Features

• Frequency response optimised for vocals
• Supercardioid polar pattern
• Very high SPL capability
• Metal housing
• Excellent handling
• Supplied with microphone clamp and storage bag
• Opus 59 S: Version with silent, lockable On/Off switch

Saxophone, trumpet, trombone

The Opus 62 dynamic clip-on microphone has been developed for miking wind instruments such as Trumpet, Trombone and Saxophone. Featuring a hypercardioid polar pattern, the Opus 62 has a high gain-before-feedback. The gooseneck allows the microphone to be easily positioned and secured in place, and an isolation shock-mount reduces the transmission of instrument"key noise" and other mechanical noise.

Features

• Dynamic clip-on microphone for trumpet, trombone and saxophone
• High SPL capability
• Small and rugged construction
• Supplied with connecting cable with XLR-plug and storage bag

Drums, percussion

Toms and Snare Drums benefit from good microphone placement. The small size of the Opus 66 allows for correct placement without obstructing the skin. beyerdynamic has investigated the sound patterns of those drum parts and created the Opus 66 microphone to capture the moment with clarity. With a supercardioid response means that the pick-up pattern is tight allowing each drum the ability to express itself and to faithfully reproduce the sound of the most aggressive drummers.

Features

• Exact reproduction of percussion and drums
• Excellent transient behavior
• Extremely high SPL (over 140 dB)
• Small, rugged construction

Toms, snare drums

The Opus 67 dynamic microphone has been designed for close miking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer.

Features

• Dynamic microphone for Toms and Congas
• Very high gain-before-feedback
• High SPL capability
• Unique double-spring clamp system
• Flexible gooseneck for optimum positioning
• Small, rugged construction for on-tour applications
• Supplied with storage bag

A premium microphone giving a wide, uncolored response and a real sense of control for performers that love to manipulate the vocal"proximity-effect" by changing the distance between the microphone and the sound source. The response pattern suppresses feedback and pickup from other sound sources producing a crisp and real sound that your audience can really relate to.

Features

• Uncolored sound reproduction
• Excellent isolation from unwanted sound
• Rugged construction for tough on-tour applications
• Supplied with microphone clamp and storage bag
• Opus 69 S: Version with silent, lockable On/Off switch

Versions

• Opus 69, dynamic microphone
  or
  
• Opus 69 S, dynamic microphone, with lockable On/Off switch

New technology has produced a new breed of microphones using condenser elements for a wider and more linear frequency response. The Opus 81 can be used for vocals and speech on the stage or in the studio and you can hit it with sound levels of up to 138 dB with faithful response. The Opus 81 stays feedback free with even the subtlest vocal tones.

Features

• Excellent sound
• Superb suppression of popping and handling noise
• Integrated filter to compensate Interferences below 100 Hz
• Rugged and stylish design
• Supplied with microphone clamp and storage bag

Configured specifically for wind instruments with a flared bell such as saxophone, trumpet and trombone, this microphone has an ultra-flexible suspension system to isolate it from mechanical noise transmission. Using the integral clip system it can be placed in the optimum position yet allowing for full movement with the instrument.

Features

• Clip-on microphone for Trumpet, Trombone and saxophone
• Cardioid polar pattern ensures high gain-before-feedback
• High SPL capability
• Gooseneck with substantial clip

Versions

• Opus 82 set, clip-on condenser microphone, connecting cable with fixed pre-amplifier CVU 82, and storag bag
  
  or
  
• Opus 82.18, clip-on condenser microphone, connetcing cable with 4-pin mini-XLR connector for TS 100 Mk II, TS 300, TS 800(M) and pre-amplifier CV 18
  incl. storage bag

Hihat, overhead, timbales

Designed specifically to capture the dynamics and nuances of acoustic and percussive instruments, this microphone is highly sensitive to detail yet robust enough to work with high SPL levels. Ideal for Overheads and brass or woodwind instruments.

Features

• For universal instrument miking
• Large overload margin
• Excellent isolation from unwanted sound
• Rugged metal construction
• Slim profile
• 12 - 48 V phantom power
• Supplied with microphone clamp and storage bag

The Opus 86 condenser microphone has been developed for miking accordions and Styrian harmonicas. The cardioid microphone capsule has a high-gain-before feedback and the frequency response has been optimised for live applications. Due to the shock-mounted microphone capsule mechanical noise is avoided. The microphone is mounted to the accordion with the supplied mounting parts. The microphone slides into the mount and can be removed for transport while the mount remains on the accordion.

If required, a maximum of three Opus 86 microphones can be mounted to one accordion. The individual signals are mixed with the optional Opus Mix 31 and routed as a master signal to a beltpack transmitter or wired pre-amplifier.

The Opus Mix 31 mini mixer comes in a high-quality magnesium cast housing and supplies a maximum of three Opus 86 microphones with the required AB-powering via a 9 Volt battery. The desired input gain for each microphone can be adjusted with the appropriate gain control. Alternatively, two Opus 86 and one neckworn microphone (e.g. Opus 54) can be connected to the Opus Mix 31 to transmit vocals and the accordion on one channel with a wireless system.

Features

• Frequency response optimised for accordions
• Cardioid polar pattern
• High gain-before feedback
• Gooseneck for optimum positioning
• Shock-mounted microphone capsule
• Supplied with mounting parts

beyerdynamic Opus 87

Toms, snare drums, congas

The condenser microphone for Floor Toms and Percussions. Outstanding is the patented microphone clamp with integrated pre-amplifier and unique double-spring system for rock-solid mounting and isolation. The Opus 87 capsule is mounted on a 75 mm long gooseneck, which can be positioned optimally to the sound source. The rubber shock-mounted capsule protects the Opus 87 microphone even from hardest stick hits. The microphone clamp is also available without pea-amp as MKV 87 with an integrated 3/8" thread.

Features

• Ideal for (Floor) Toms, Snare Drums, Congas and Timbales
• Wide transmission range
• Cardioid polar pattern for high gain-before-feedback
• Patented microphone clamp with integrated pre-amp and 3-pin XLR plug for quick mounting (no disturbing cable between microphone head and pre-amp)
• Rugged construction with rubber shock-mounted microphone capsule
• Supplied with storage bag

beyerdynamic Opus 88

Toms, snare drums, congas

The Opus 88 condenser microphone is the perfect choice for close
miking Toms and Snare Drums, designed to excel at professional sound reinforcement or recording. The Snare Drum is hit most often, the hardest and produces a very complex sound pattern. The Opus 88 has been optimised for the Snare; both electrically and physically creating an exact sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR-plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.

Features

• Ideal for Rack or Floor Toms and Snare Drums
• Wide transmission range
• Cardioid polar pattern for high gain-before-feedback
• Suitable for SPLs up to 136 dB
• Patented microphone clamp with integrated pre-amp and 3-pin XLR-plug for quick mounting (no disturbing cable between microphone head and pre-amp)
• Rugged construction with rubber shock-mounted microphone capsule
• Supplied with storage bag

beyerdynamic Opus 99

Bass drum, uprigth bass, tuba, djembe

The Opus 99 has been developed especially for miking low-frequency instruments such as Double Bass, Bass Amplifiers, Tubas and especially Bass Drums. The strong neodymium magnet system and a mass reduced special diaphragm give the microphone a powerful reproduction with excellent transient characteristics. The optimised frequency response guarantees audio quality which until now has, only been achieved by using high-quality condenser microphones. The hypercardioid polar pattern helps eliminate feedback in live applications and allows an optimum channel separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. With the optional available ST 99 stand the Opus 99 can be placed directly inside or in front of the Bass Drum.

Features

• Dynamic moving coil microphone in studio quality
• equalization for low-frequency instruments, ideal for Bass Drum miking
  Integrated elastic system suspension
• Suitable for very high SPLs
• Rugged construction, aluminium/zinc cast
• Supplied with special microphone clamp and storage bag

beyerdynamic Opus Drumset L

The Opus Drumsets offer high-performance drum microphones from the Opus range at favorable prices. Four sets are available as individually customized sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

Features

• 1 Opus 99 (Bass Drum), dynamic, hypercardioid,
  incl. microphone clamp
• 1 ST 99 bass drum stand
• 2 Opus 53 (Overhead), condenser (back electret), cardioid,
  incl. microphone clamps
• 4 Opus 88 (Snare Drum, Toms), condenser (back electret), cardioid, clip-on

beyerdynamic Opus Drumset M

The Opus Drumsets offer high-performance drum microphones from the Opus range at favorable prices. Four sets are available as individually customized sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

Features

• 1 Opus 99 (Bass Drum), dynamic, hypercardioid, incl. microphone clamp
• 4 Opus 88 (Snare Drum, Toms), condenser (back electret), cardioid, clip-on
  

beyerdynamic Opus Drumset S

The Opus Drumsets offer high-performance drum microphones from the Opus range at favorable prices. Four sets are available as individually customized sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

Features

• 1 Opus 99 (Bass Drum), dynamic, hypercardioid, incl. microphone clamp
• 2 Opus 53 (Overhead), condenser (back electret), cardioid, incl. microphone clamps
• 1 Opus 88 (Snare Drum), condenser (back electret), cardioid, clip-on

The Opus Drumsets offer high-performance drum microphones from the Opus range at favorable prices. Four sets are available as individually customized sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

Features

• 1 Opus 99 (Bass Drum), dynamic, hypercardioid, incl. microphone clamp
• 1 ST 99 bass drum stand
• 2 MC 930 (Overhead), condenser, cardioid, incl. microphone clamps
• 1 Opus 53 (HiHat), condenser (back electret), cardioid, incl. microphoneclamp
• 2 Opus 87 (Toms), condenser (back electret), cardioid, clip-on
• 3 Opus 88 (Snare Drum, Toms), condenser (back electret), cardioid, clip-on

Phantom power adaptor with mini-XLR 4-pin input.

Phantom power adaptor for Opus/MCE .18 microphones with 4pin mini-XLR plug to connect to phantom-powered mic inputs.