|
"The sound of the DMX-R100's converters when properly
warmed up changed with the switchover to the M-Clock. It's as if
my monitors jumped a couple feet closer to me (i.e. the soundstage
moved toward me, especially in the midrange)-- something I never
experienced clocking off my now retired GENx6-96" Andy Hong,
engineer, The Lodge
In today's studio where increasing numbers of
digital devices need to be interconnected, maintaining digital
signal integrity can be a serious problem. The traditional professional
solution has been to use an expensive master clock that drives
all the digital equipment in the studio, but in many different
types of studios there are often pieces of equipment that don't
have wordclock inputs such as consumer CD players, MD recorders,
DAT machines and budget computer soundcards.
Drawmer's unique solution
to this dilemma is the M-Clock, an affordable yet extremely highly
specified, multiple output master clock generator that also incorporates
four further channels of sample-rate-conversion, all locked to
the same master clock. There are also alternative sync outputs
for those pieces of equipment without wordclock connections that
can be sync'ed via their digital audio inputs using a 'black'
signal carrying no audio information.
The advantages of combining
wordclock with multiple channels of 'clock-locked' sample rate
conversion are significant and often under-appreciated. With
M-Clock, all your 'pro' and consumer digital equipment can run
in the same system, locked to the same clock, with no worries
about finding a suitable sync source. You'll find you're no longer
having to switch equipment between internal and external sync
as you repatch - and the M-Clock's ultra-precision, low-jitter
clock helps maintain optimum stereo imaging, lower noise and
lower distortion. If you have multiple pieces of digital equipment
in your studio, whether professional or a mixture of professional
and consumer, M-Clock is probably the most effective upgrade
you can make for anything like the price.
|