Sales of Shure KSM9, KSM27, KSM32/CG, KSM32/SL, KSM44, KSM109, KSM137, KSM141, SM94, SM81, and VP88 recording microphones at Sweetwave Audio. Need assistance? Call us at 1-877-258-0563.

Engineered to exacting standards, KSM9 unites the best of studio and stage. With its dual diaphragm design and switchable polar patterns, KSM9 reveals nuance and subtlety in a microphone optimized for the most demanding live environments. The choice for the world's most accomplished vocal performances.

KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.

Features

• Dual gold layered, low-mass Mylar® diaphragm design
• Switchable polar patterns (supercardioid and cardioid)
• Advanced suspension shock mount
• Premium electronic components including Class A transformerless preamplifier circuitry
• Gold-plated internal and external connectors, including XLR Output Durable aluminum housing
• Champagne or charcoal grey finish
• Full-range frequency response (50Hz to 20kHz)
• Aluminum carrying case

The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. Designed for studio use, but rugged enough for live applications, the KSM27 has an externally biased, 1-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

Features

• Cardioid polar pattern - the most commonly used pattern for both studio and live applications
• 1”, externally biased, ultra-thin, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect
• Integrated three-stage 'pop" protection grill reduces plosives and other breath noise
• Internal shock mount reduces handling and stand noise

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional low-frequency reproduction
• High output level
• High input SPL capability
• No crossover distortion
• Extremely uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

• Shure Lock^TM Rubber Isolated Shock Mount
• Protective Velveteen Pouch

Applications

Some typical applications for the KSM27 are listed below. Microphone use, however, is a matter of personal taste. The KSM27 may be used for a variety of applications other than those listed.

• Voice -- solo, background, voice-over, broadcasting
• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Electric instruments such as guitar and bass
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source, especially with a high resolution microphone like the KSM27. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.

FEATURES

• Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
• Embossed, high-compliance diaphragm provides extended low-frequency response.
• Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
• 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
• Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
• Integrated three-stage pop protection grill reduces"pop" and other breath noise
• Internal shock mount reduces transmission of handling noise

Performance Characteristics

• Extended frequency response
• Very low self-noise
• Exceptional low-frequency reproduction
• High output level
• High input SPL capability
• No cross-over distortion
• Extremely uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

MODEL VARIATIONS

The KSM32/SL has a champagne-colored finish and comes with the following accessories:

• Locking aluminum carrying case
• Shure Lock^TM elastic-suspension shock mount
• Shure Lock^TM swivel mount
• Protective velveteen pouch

The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:

• Shure Lock^TM swivel mount
• Padded, zippered carrying bag

APPLICATIONS

Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.

• Voice -- solo, background, voice-over, broadcasting
• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

The KSM44/SL is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm condenser microphone with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs accommodates loud sound sources such as drums and guitar amplifiers.

Features

• Dual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar ^® diaphragms provide superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion; Minimizes harmonic and intermodulation distortions
• Full-range frequency response (20 Hz - 20 KHz) for an extremely accurate reproduction of voice and instruments
• Extremely low self noise (7 dBA) for critical studio vocal recording
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
• 15 dB attenuation switch for handling high input SPL sound sources
• 3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effect
• Durable zinc die-cast housing and hardened low carbon steel grill to protect the cartridge from accidental drops or misuse
• Uniform polar response provides natural off-axis response for critical recording
• An integrated three-stage pop protection grill to guard against wind and breath noise
• An internal shock mount to reduce unwanted handling and stand noise

Performance Characteristics

• Extended frequency response
• Very low self-noise
• Exceptional low-frequency reproduction
• High output level
• High input SPL capability
• No cross-over distortion
• Extremely uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

Each KSM44/SL comes supplied complete with:

• Color-matched Shure Lock ^TM elastic-suspension shock mount
• Shure Lock ^TM swivel mount
• Protective velveteen pouch
• Locking aluminum carrying case

APPLICATIONS

The KSM44/SL is designed as a premium vocal microphone for studio recording. Microphone use, however, is a matter of personal taste. Here is a non-exhaustive list of common applications:

• Vocals -- solo, background, voice-over
• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Of course, both the acoustic environment and microphone placement have significant effects on the sound obtained when miking any sound source. We encourage users to experiment with these variables to achieve the best overall sound

The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It's all the mic you need for studio instrument recording.

Features

• A tight cardioid polar pattern
• Transformerless Class-A preamplifier circuitry design
• Outstanding transparency without crossover distortion
• An extended frequency response (20Hz to 20KHz)
• Natural reproduction of sound with a smooth high-end and a tight/controlled low-end
• Switchable -15dB Pad allows the input of a wider range of SPL sources

APPLICATIONS

Some typical applications for the KSM109 are listed below. Microphone use, however, is a matter of personal taste. The KSM109 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar^® diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar^® diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

The Model SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency response is free of either a"presence peak" or a low-frequency rolloff, making it a perfect choice for all types of musical instruments. The SM94 is equally at home in sound reinforcement systems or in sound studios and motion picture/ TV scoring stages. When used with the optional wind-screen, the SM94 can be used by vocalists and speech-makers who desire a wide, flat response with minimum coloration.

• A sensitive mic with a wide, flat response ideal for live amplified and acoustic instruments.
• Extremely well-suited for reproduction of stringed instruments, woodwinds and cymbals
• AA battery or phantom power
• Internal shock mount
• Wide dynamic range
• Smooth, flat frequency response
• Uniform Cardioid condenser
• Frequency response: 40 to 16,000 Hz
  
  
  

The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.

• 20 Hz to 20 kHz frequency response
• Flat response curve for accurate reproduction of sound sources
• Low noise and high output clipping level
• Low distortion over a wide range of load impedances
• Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
• Low RF susceptibility
• Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
• 0 dB/10 dB lockable attenuator switch
• Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
• Rugged steel construction for durability
• Field-usable over wide range of temperature and humidity conditions

The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.

The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.

The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector"Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.

The optional A88SM Shock Mount provides optimum isolation from stand-transmitted shock and vibration. The A88SM is ideal for critical studio applications contains a standard mounting foot for use with most electronic news gathering (ENG) video cameras.

• Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
• Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
• Mono compatibility ideal for broadcast applications
• 40 to 20,000 Hz frequency response
• Low noise and distortion
• Wide dynamic range
• Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
• Operates on phantom power or a 6V camera battery
• LED power indicator
• Internal shock mount for reduced stand vibration and handling noise
• Built-in"pop" screen
• Includes windscreen, swivel adapter, and Y-cable